One day Murphy, who never touched coffee, drank a strong cappuccino before improvising a monologue. But his star consistently delivered footage funnier than he’d imagined. on hand on-set, so he could watch snippets of it for inspiration. He magnifies every bit of work you do by a thousandfold.” The director kept a VHS tape of 48 Hrs. “Every time, he came up with something that knocked me to the floor,” he said. Brest’s nerves quickly melted away as he realized Murphy was capable of fizzing up even the most generic of lines. Murphy’s first scene was a tense exchange about hijacked cigarettes in the back of a truck, with dialogue inspired by a Harvey Keitel – Robert De Niro interaction in Mean Streets. In spring 1983, production began, with final changes to the script completed that very morning. “The only thing he had going for himself was his wits.” Rather than keeping his gun in a holster, Axel would tuck it into his jeans - something Brest saw being done by real detective Gilbert Hill (whom he’d cast in the film as Foley’s foulmouthed superior, Inspector Todd) during a research recce to a Detroit cop shop. “Everything he had was the cheapest, most lowdown possible,” said Brest. ED DEPT., and a shabby sweatshirt the garments would match the character’s car, a blue Chevy Nova that was dented and covered in rust. Instead, he opted for a pair of squeaky sneakers, a faded T-shirt marked MUMFORD PHYS. Murphy himself rejected the initial outfit that Brest, Simpson, and Jerry Bruckheimer picked out: it was, he told them, “too slick”. And despite the fact the script had been written with white stars in mind, Murphy’s skin color only sharpened the him-against-them dynamic. Though a law-enforcement officer, Foley was to be an underdog perpetually snapping at the heels of his affluent enemies. “We wanted Eddie to look like a kid,” said producer Don Simpson. Rather than the buffed-up, hardboiled guy he had become in recent drafts, they turned Axel into a scruffy wiseass, always flying by the seat of his pants. New York–born director Martin Brest, himself skittish about directing a big action movie for the first time, got to work with Murphy and writer Dan Petrie, figuring out the whys and wherefores of the lead character, now at last called Axel Foley. Start your spiritual protection spells now, people.New sets and costumes were hurriedly assembled. Hey, maybe it’ll be on Disney+ when October rolls around. While this one, intriguingly, isn’t setting itself up as a Halloween launch, it’s a big family-friendly horror-ish blockbuster planted right in the middle of summer – UK audiences will see it from 11 August, while lucky American viewers can see it from 28 July. And the cast for this one really is stacked – also featuring Winona Ryder, Hasan Minhaj (part of that properly rib-tickling final scene of the trailer), and Dan Levy. And that scooped chair that whisks Tiffany Haddish around just over a minute in? It looks just like the booths you sit in while you ride. If you’ve ever been on it, there’s plenty you’ll recognise here: the ghost bride, the stretching room, the Hatbox Ghost, and a brief flash of Jamie Lee Curtis as head-in-a-bowl Madame Leota. This is shaping up to be a spooky good time – leaning into both the fear and the fun that have made Haunted Mansion a Disneyland and Disney World mainstay for decades.
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